His mother, Daisy, often rhymed things she said, a habit her son imitated. Dixon is considered one of the key figures in the creation of Chicago blues. Later in his teens, he learned how to sing harmony from a local carp… [16], Dixon died of heart failure on January 29, 1992, in Burbank, California,[1] and was buried in Burr Oak Cemetery, in Alsip, Illinois. Discover the real story, facts, and details of Willie Dixon. Dixon’s songs included ‘I’m Your Hoochie Coochie Man,’ ‘Little Red Rooster,’ ‘Back Door Man,’ ‘The Seventh Son,’ and ‘Wang Dang Doodle.’ Dixon was born in Vicksburg, Mississippi, on July 1, 1915. "The Wisdom of the Blues—Defining Blues as the True Facts of Life: An Willie Dixon. ", sfn error: no target: CITEREFMitsutoshi2010 (, Barretta, Scott (2008). Dixon is buried at Lot 18, Grave 1, Acacia Lawn, Long, Worth (1995). [13], In 1987, Dixon reached an out-of-court settlement with the rock band Led Zeppelin after suing for plagiarism in the band's use of his music in "Bring It On Home" and lyrics from his composition "You Need Love" (1962) in the band's recording of "Whole Lotta Love". Willie Dixon Biography, Life, Interesting Facts. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. Born in 1915 in Vicksburg, MS, Dixon began rhyming, singing and writing songs in his youth. [2], Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. Some of the now classic songs he wrote for other during his lengthy tenure at Chess include “Hoochie Coochie Man”, “I’m Ready” and “I Just Want to Make Love to You” (Muddy Waters); “Back Door Man”, “Spoonful” and “I Ain’t Superstitious” (Howlin’ Wolf); “My Babe” (Little Walter); and “Wang Dang Doodle” (Koko Taylor). Real Name: William James Dixon. In addition to songwriting, arranging, and producing, Dixon also contributed to recording sessions on double bass. While this biography does not read as much like a novel as some others (particularly those co-written by the excellent David Ritz), the organization of the chapters provided a strong historical chronology of not only Willie Dixon's life, but the panorama of Blues history in the 20th century. [18] On April 28, 2013, both Dixon and his grandson Alex Dixon were inducted into the Chicago Blues Hall of Fame. He received a Grammy Award and was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, and the Songwriters Hall of Fame. At the age of seven, young Dixon became an admirer of a band that featured pianist Little Brother Montgomery. [1], Dixon was inducted into the Blues Hall of Fame in 1980, in the inaugural session of the Blues Foundation's ceremony. He sang his first song at Springfield Baptist Church at the age of four Dixon was first introduced to blueswhen he served time on prison farms in Mississippi as a young teenager. Moreover, Dixon is a towering figure in … The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Though he didn’t write for Chuck Berry, Dixon played bass on most of his early records. It's better keeping the roots alive, because it means better fruits from now on. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. American recording artist; blues musician, This article is about the American Blues musician. In his later years, Dixon became a tireless ambassador for the blues and a vocal advocate for its practitioners, founding the Blues Heaven Foundation, which works to preserve the legacy of the blues and to secure copyrights and royalties for blues musicians who were exploited in the past. He started singing in church at the age of four and laterjoined a gospel quartet. [10] He later recorded for Bluesville Records. Leben und Werk. Speaking with the simple eloquence that was a hallmark of his songs, Dixon claimed, "The blues are the roots and the other musics are the fruits. [23]Herzhaft harvnb error: no target: CITEREFHerzhaft (help), Dixon wrote or co-wrote over 500 songs. In the 1960s, his songs were adapted by numerous rock artists. Willie Dixon (born July 1, 1915, Vicksburg, Miss., U.S.-died Jan. 29, 1992, Burbank, Calif.) was a U.S. musician who influenced the emergence of electric blues and rock music. [6] He began adapting his poems into songs and even sold some to local music groups. [9] After the war, he formed a group named the Four Jumps of Jive. In his later years, Willie Dixon became a tireless ambassador of the blues and a vocal advocate for its practitioners, founding the Blues Heaven Foundation. Speaking with the simple eloquence that was a hallmark of his songs, Dixon put it like this: “The blues are the roots and the other musics are the fruits. Can you imagine what music would be like without such hits as Hoochie Coochie Man, Little Red Rooster, Spoonful, I Ain't Superstitious, I Can't Quit You Baby or My Babe? Dixon really found his niche at Chess, where he was allowed to develop as a recording artist, session musician, in-house songwriter and staff musician beginning in 1951. Dixon had a uniquely powerful voice and was exceptional in playing the upright bass and the guitar.
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